Types of Drama
Tragedy- a play written in a
serious, sometimes impressive or elevated style, in which things go wrong and
cannot be set right except at great cost or sacrifice. Aristotle said that tragedy should purge our
emotions by evoking pity and fear (or compassion and awe) in us, the
spectators.
The
tragic pattern: 1. a theme of fatal passion (excluding love) as a primary
motive
2. an outstanding personality as center of conflict
(classical tragedy demanded a “noble” character)
3. a vital weakness within the hero’s character (his
tragic flaw which precipitates the tragedy)
4. the conflict within the hero is the source of
tragedy. However, since Nietzsche, the
tragic flaw is often found to be in the universe itself, or in man’s
relationship to it, rather than in the hero himself.
Comedy- a play written in a kindly
or humorous, perhaps bitter or satiric vein, in which the problems or
difficulties of the characters are resolved satisfactorily, if not for all
characters, at least from the point of view of the audience. Low characters as opposed to noble;
characters not always changed by the action of the play; based upon observation
of life. Comedy and tragedy are
concerned more with character, whereas farce and melodrama are concerned more
with plot.
Melodrama- a play in which the
characters are types rather than individuals, the story and situations
exaggerated to the point of improbability or sensationalism and the language
and emotion over-emphasized
Farce- a comedy in which story,
character, and especially situations are exaggerated to the point of
improbability; the situation begins with a highly improbable premise, but when
that is accepted everything that follows is completely logical. Fast moving; uses such theatrical devices as
duplications, reversals, repetitions, surprises, disguises, chance encounters,
often many doors and closets.
Tragic
Comedy or Drama-
a play with the sincerity and earnestness of tragedy but without its
inevitability of impending disaster, and with the kindly and tolerant attitude
of comedy but without its underlying spirit of humour; uses tense situations
and moments of extreme conflict, but the tragedy is averted and transcended.
Other
kinds of plays-
1.Classical tragic-comedy; noble characters but happy ending.
2. Classical comic-tragedy; low
characters but ends badly
3. Satire
4. Vaudeville
5. Mime
6. Propaganda plays (or didactic
drama)
The
history of the drama (dramatic literature) might be seen as a constant
alteration between the two poles of the classic mode and the romantic
mode.
The
history of theatre (performance of drama) might be seen as a constant
alteration between the two poles of stylized presentation and realistic
representation. Below is one
interpretation of the relative positions of certain artistic movements in the
theatre on a continuum between theatricality and realism:
theatrical 1.
Constructivism 5. Romanticism actualistic
presentational 2.
Surrealism 6. Realism representational
nonillusionistic 3.
Expressionism 7. Naturalism illusionistic
stylized, frankly 4.
Symbolism realistic, creating the artificial illusion of reality
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